This is a selection of the major projects. A complete list of publications can be found here.
We make generative CNNs produce temporarily coherent video by adding regularization terms to the loss function. The regularization facilitates learning geometric transformations, which should affect the output frame in the same way as the input frame.
Every second frame of a high-frame animation is rendered at a lower resolution, reducing the number of rendered and transmitted pixels by about 40%. The high quality animation is reconstructed by exploiting the limitations of human spatio-temporal vision.
Visibility of artifacts is marked by a number of observers to create a dataset of local differences. The dataset is then used to retrain existing visibility metrics, such as HDR-VDP-2, and to train a new CNN-based metric.
The largest image quality dataset, TID2013, is rescaled to improve the quality scores. Better quality estimates are obtained using a more rigorous observer model (Thurstone's Case V) and with additional cross-content and with-reference measurements.
Saturated pixels are reconstructed from a single low-dynamic range exposure with the help of a deep convolutional neural network.
We investigate whether 2D quality metrics can predict the distortions that can be found in light field applications.
The report contains a review of recent video tone mapping operators, oulining the most important trends and characteristics of the proposed methods.
The Luma HDRv is a video codec based on VP9, which uses a perceptually motivated method to encode high dynamic range (HDR) video. Source code avauilable.
A model predicting the adapting luminance in complex scenes.
Video tone mapping that controls the visibility of the noise, adapts to display and viewing environment, minimizes contrast distortions, preserves or enhances image details, and can be run in real-time without preprocessing.
Psychophysical evaluation of several encoding schemes for high dynamic range pixel values.
We investigate what is the likely cause of enhanced appearance on 3D-ness on HDR displays.
The method that can reproduce the appearance of night scenes on bright displays or compensate for night vision on dark displays.
A new data-driven full-reference image quality metric intended for detecting rendering artefacts and their location in an image. The metric utilises a large number of features from quality metrics (SSIM, HDR-VDP-2), computer vision (HOG, BOW) and statistics.
Eleven tone mapping operators are evaluated and compared to investigate the major challenges and problems in video tone mapping.
A number of monocular depth cues are compared in a subjective experiment to evaluate the accuracy of intuitive depth ordering. Contrast and brightness on an HDR display were found to be one of the most effective depth cues when no other depth cues are available.
To efficiently deploy eye-tracking within 3D graphics applications, we present a new probabilistic method that predicts the patterns of user’s eye fixations in animated 3D scenes from noisy eye-tracker data.
The new per-pixel image quality dataset with computer graphics artifacts shows disapointing performance of both simple (PSNR, MSE, sCIE-Lab) and advanced (SSIM, MS-SSIM, HDR-VDP-2) quality metrics.
Unlike standard LCD or Plasma displays, a high dynamic range (HDR) display is capable of showing images of very high contrast (up to 250,000:1) and peak brightness (up to 2,400 cd/m^2). As a result, the images and video shown on such as display look very realistic and appealing.
A metric for predicting visible differences (discrimination) and image quality (mean-opinion-score) in high dynamic range images. The metric is carefully calibrated and extensively tested against actual experimental data, ensuring the highest possible accuracy.
HDR images are captured in a single exposure with standard cameras by encoding information about the saturated pixels in a glare. The glare is produced by a cross-screen (star) filter, making it amenable to tomographic reconstruction.
Digital viewfinder in cameras does not show depth-of-field, lack of sharpness or motion blur, which is normally visible in a full-size image. Based on blur-matching experimental data, the algorithm produces lower resolution images while preserving apperent blur.
A method for displaying HDR images with exposure control in a web browser. The project page includes a toolkit for generating web pages with HDR images.
Color distortions due to tone-mapping are corrected by adjusting image color saturation. A model of color adjustment is built based on the data from an appearance-matching experiment.
A tone-mapping algorithm that is controlled by a super-threshold visual metric. The solution takes into account display limitations, such as brightness, black level, and reflected ambient light.
A visual metric that is mostly invariant to contrast and tone-scale manipulations. It can detect loss of visible contrast, amplification of invisible contrast and contrast reversal.
A semi-automatic method for classification of reflective and emissive objects in video, followed by brightness enhancement for display on high dynamic range displays.
A generic model of a local tone-mapping operator is fit to a pair of LDR and HDR images. The model is applied for backward compatible HDR image compression, analysis of tone-mapping operators and synthesis of new operators from existing ones.
The perceived brightness of the glare illusion is measured in a brightness matching experiment. A simple Gaussian convolution is shown to produce similar brightness boost as a physically correct PSF model of the eye optics.