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Issues
Non-proprietary or free approaches to creating and
distributing digital tools and content have come
increasingly into the public eye. The Free Software and Open
Source movements centred around operating systems,
programming languages, and other utilities have
inspired a diverse group of initiatives spanning a wide
range: collaborative scholarship and research in the
humanities and sciences, emergent art forms, and a variety
of Internet applications (e.g Gnutella, FreeNet). Apparent
in all these movements is a tendency to reinforce the
breadth and richness of the public domain in cyberspace.
They create new kinds of collective goods, while at the same
time challenging traditional copyright regimes, and offer a
challenge to individualistic modes of authorship.
To consider these issues the Arts Council of England and the
Academia Europaea, in partnership with the new Crucible
agency at the Computer Laboratory, Cambridge and the
Cambridge University Law Facultys Intellectual
Property Unit, are organising a Conference to be held at
Queens College, Cambridge, from 4 to 6 April 2001. The
conference, CODE Collaboration and Ownership in the
Digital Economy will bring together leading theorists
and practitioners in the media, software, law, technology
and the arts to ask: How do non-proprietary principles
contribute to creativity and collective action? What
problems may be encountered in the legal domain? Will the
current efforts of established IP rights holders to extend
copyright enforcement eventually be reconciled with this
emerging world of free-flowing network-based collaboration?
What lessons may be gained from alternative concepts of
ownership? How can these movements interface with regular
commercial practice?
This conference will appeal to everyone concerned with the
emerging software and creative media industries,
particularly the intersection between those industries where
new media content is being created and disseminated via
software distribution methods.
It will offer insights also into issues critical to cultural
and social development in Europe as well as globally. The
rapid development of the open content movement has
far-reaching consequences for policy makers across many
disciplines particularly in a period of rapid expansion of
investment in e-universities, distributed research
laboratories, virtual faculties and the opening up of
broadband networks which will enable high speed distribution
of data and new kinds of multimedia products.
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